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Painting, Chinese. --- Painting --- Peinture chinoise --- Chinese painting --- Paintings, Chinese
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Le portrait est sans conteste le genre artistique le plus fécond du début des Temps modernes. Dans la France du XVIIe siècle, qui se distingue par une mobilité sociale inconnue jusqu’alors, le portrait permet précisément d’appuyer la revendication d’un nouveau statut social ou d’assurer un rang acquis, mais désormais remis en question. Le portrait se fait également l’écho de la discussion capitale concernant le rapport entre le corps et l’âme. Pourtant, les sources écrites parvenues jusqu’à nous, qui s’intéressent au portrait, sont étonnamment parcimonieuses. L’Académie royale de peinture et de sculpture fondée en 1648, en particulier, est presque totalement muette à ce sujet. Et ce, bien que nombre de ses membres gagnent leur vie comme portraitistes et que le genre voie son importance s’accroître au cours du Grand Siècle : les portraits se multiplient, tandis que leur prix augmente constamment. Il semble que l’Académie ait sciemment passé sous silence le portrait et les débats afférents, afin de mieux célébrer comme sa véritable mission la peinture d’histoire, sur laquelle l’institution nous a laissé d’innombrables témoignages. La présente étude reconstitue les discours autour du portrait dans la France du XVIIe siècle et dévoile une discussion d’une vivacité surprenante, où d’aucuns se sont même demandé si le portrait ne méritait pas – plutôt que la peinture d’histoire – d’occuper la première place dans la hiérarchie des genres. Das Porträt ist sicherlich die fruchtbarste künstlerische Gattung der frühen Neuzeit. Gerade im Frankreich des 17. Jahrhunderts, das sich durch eine bis dahin unbekannte soziale Mobilität auszeichnete, erlaubte es das Porträt, den Anspruch auf eine neue gesellschaftliche Position zu unterstreichen bzw. auf einer überkommenen, nun aber in Frage gestellten Position zu beharren. Auch fand die zentrale Diskussion um das Verhältnis von Leib und Seele ihren Niederschlag im Porträt. Hiermit in Kontrast steht der Mangel an schriftlichen Quellen…
The arts --- Abbaye de Port-Royal --- Académie royale de peinture et de sculpture (fondée en 1648) --- genres artistiques --- Grand Siècle --- jansénisme --- monarchie française --- peinture d’histoire --- portrait --- physiognomie --- physiognomonie --- XVIIe siècle --- roi de France --- littérature
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Painting, Singaporean. --- Ink painting, Chinese. --- Peinture singapourienne --- Peinture à l'encre chinoise --- Painting, Singaporean --- Ink painting, Chinese --- Chua, Ek Kay, --- Singapore. --- Painting, Singapore --- Singaporean painting --- Chinese ink painting --- Kay, Chua Ek, --- Cai, Yixi, --- 蔡逸溪, --- Ciṅkappūr --- Colony of Singapore --- Garden City --- Hingapoa --- Hsin-chia-pʻo --- Lion City --- Red Dot --- Republic of Singapore --- Republik Singapura --- Sanghāfūrah --- Scingap --- Sengapou --- Shingapōru --- Sin-ka-pho --- Sinapoa --- Singafora --- Singapoer --- Singapore Colony --- Singapore --- Singaporo --- Singapour --- Singapul --- Singapur --- Singapura --- Singapūras --- Singapuri --- Singapuro --- Singapūro Respublika --- Singeapór --- Singgap'or --- Singgapura --- Singhāfūrah --- Singkhap --- Sinhapur --- Sinkapoyr --- Sinngapuur --- Sinqapur --- Szingapúr --- Xinjiapo --- Xinjiapo gong he guo --- Xinjiapo Gongheguo
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painting [image-making] --- Painting --- anno 1600-1699 --- Flanders --- Painting, Flemish --- Painters --- Peinture flamande --- Peintres --- Dictionaries --- Dictionnaires anglais --- schilderkunst --- biografieën --- 17de eeuw --- Zuidelijke Nederlanden --- 75 <493-17> --- 75 <493-17> Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- #A9401A --- 17de eeuw. --- Zuidelijke Nederlanden. --- Vlaamse school --- Peintres flamands --- 17e siecle --- Biographies
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Painting --- Modern [styles and periods] --- schilderkunst --- painting [image-making] --- moderne kunst --- anno 1900-1999 --- Belgium --- Netherlands --- Flandre --- Nederland --- Pays-Bas --- Peinture --- Schilderkunst --- Vlaanderen --- Painters --- Painting, Dutch --- Painting, Flemish --- #A9511A --- #KVHA:Schiderkunst Nederlanden; Engels --- -Painters --- -Painting, Dutch --- Flemish painting --- Painting, Modern --- Rota Tora (Artists' group) --- Artists --- Modern [style or period] --- Painters - Netherlands --- Painting, Dutch - 20th century --- Painters - Flanders --- Painting, Flemish - 20th century --- schilderkunst, Nederlanden
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"This free e-book is published by KIK-IRPA, the Royal Institute for Cultural Heritage in Brussels, and written by scholar Hélène Verougstraete. Offering 700 images and 1500 diagrams, the book is an updated study based on the author's 1989 doctoral thesis, which was prepared in French with black and white pictures. The new version has been fully translated into English and contains expanded research with crisp full-color illustrations and a searchable, zoomable interface."--Online publisher's description.
Picture frames and framing --- Panel painting, Flemish --- Cadres (Art) --- Peinture sur panneau flamande --- History --- Conservation and restoration --- Histoire --- Conservation et restauration --- EPUB-ALPHA-F EPUB-LIV-FT LIVART LIBRE-B --- Panel painting, Dutch --- Panel painting --- Frames, Picture --- Framing of pictures --- Picture framing --- Artists' materials --- Dutch panel painting --- Flemish panel painting --- E-books
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Painting, Southeast Asian. --- Art, Southeast Asian. --- Art de l'Asie du Sud-Est --- Peinture de l'Asie du Sud-Est --- Art, Southeast Asian --- Painting, Southeast Asian --- You, Khin, --- Chen, Cheng Mei, --- Southeast Asian painting --- Southeast Asian art --- Mei, Chen Cheng, --- Tan, Seah Boey, --- Boey, Tan Seah, --- 陳城梅, --- Chen, Chengmei,
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Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers. In The Beautiful, Novel, and Strange Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.
Litterature et societe --- Art et litterature --- Roman anglais --- Litterature anglaise --- Esthetique --- Esthetica. --- Letterkunde. --- Engels. --- Literature and society. --- Fiction --- English fiction. --- Art and literature. --- Aesthetics, British. --- Literature and society --- Aesthetics, British --- Art and literature --- English fiction --- Histoire et critique. --- Technique. --- History --- History and criticism. --- 1700-1799 --- Great Britain. --- Visual arts --- Aesthetics --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Literature --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Aesthetics, English --- British aesthetics --- English aesthetics --- English literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Social aspects --- Art, Théorie de l' --- Art --- Arts --- Contribution à l'esthétique --- Et l'esthétique --- Philosophie des arts --- Théorie artistique --- Théorie de l'art --- Théories artistiques --- Critique et interprétation --- Culture visuelle --- Esthétique --- Esthétique et droit --- Esthétique et morale --- Académisme --- Allusion --- Apollinien et dionysiaque --- Architecture --- Art pour l'art --- Auteur (esthétique) --- Authenticité (art) --- Avant-garde (esthétique) --- Beau (esthétique) --- Beauté féminine (esthétique) --- Camp (style) --- Catharsis --- Cinéma --- Comique --- Contemporanéité (esthétique) --- Création (esthétique) --- Déformation (esthétique) --- Dernières oeuvres --- Détails (philosophie) --- Dilettantisme (esthétique) --- Dimension (esthétique) --- Double (esthétique) --- Douceur --- Échelle (ordre de grandeur) --- Éclectisme (esthétique) --- Élégance --- Ellipse (esthétique) --- Empathie (esthétique) --- Entre-deux (esthétique) --- Épique (esthétique) --- Esthétique anarchiste --- Esthétique communiste --- Esthétique comparée --- Esthétique environnementale --- Esthétique fasciste --- Esthétique marxiste --- Esthétique national-socialiste --- Fantastique --- Fin de siècle (esthétique) --- Flou (esthétique) --- Force (esthétique) --- Forme (esthétique) --- Goût (esthétique) --- Grâce (esthétique) --- Grandiose (esthétique) --- Grotesque --- Harmonie (esthétique) --- Humour --- Imaginaire (philosophie) --- Imagination (philosophie) --- Immobilité (esthétique) --- Improvisation (esthétique) --- Informe (esthétique) --- Insignifiance (esthétique) --- Inspiration --- Ironie --- Jeu (philosophie) --- Jugement esthétique --- Kitsch --- Laideur --- Légèreté --- Littérature --- Médiévisme (esthétique) --- Modernisme (esthétique) --- Montage (esthétique) --- Mouvement (esthétique) --- Musique --- Nature (esthétique) --- Nouveauté --- Objet (esthétique) --- Orientalisme --- Originalité (esthétique) --- Peinture --- Pittoresque --- Poïétique --- Post-postmodernisme --- Postmodernisme --- Premières oeuvres --- Provocation (esthétique) --- Répétition (esthétique) --- Représentation (esthétique) --- Reste (esthétique) --- Ruines (esthétique) --- Rythme --- Silence (philosophie) --- Simultanéité (esthétique) --- Spectaculaire --- Stimmung --- Style --- Sublime --- Théâtre --- Tradition (philosophie) --- Transgression --- Valeurs (philosophie) --- Vulgarité --- Wabi-sabi --- Philosophie --- Littérature et art --- Littérature et arts plastiques --- Littérature et beaux-arts --- Littérature et peinture --- Littérature et sculpture --- Peinture et littérature --- Poésie et art --- Poésie et peinture --- Poésie et sculpture --- Sculpture et littérature --- Critique d'art --- Architecture et littérature --- Cubisme et littérature --- Ekphrasis --- Littérature et photographie --- Ut pictura poesis (esthétique) --- Arts et littérature --- Société et littérature --- Femmes et littérature --- Littérature et géographie --- Littérature postcoloniale --- Sociologie de la littérature --- Vie littéraire --- Féminisme et littérature --- Institution littéraire --- Psychologie sociale et littérature --- Histoire --- Aspect religieux --- Philosophie et esthétique --- Aspect social --- Esthétique et religion
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Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that - contrary to what is usually assumed - he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was present in both the public and private sphere on many, both happy and sad, occasions. In addition, the vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.
Vase-painting, Greek --- Vases, Red-figured --- Dionysus --- Cult. --- Red-figure vases --- Red-figured vases --- Vases, Red-figure --- Bacchus --- Bakchos --- Dionís --- Dionisas --- Dioniso --- Dionīss --- Dionisu --- Dioniz --- Dionizi --- Dionizo --- Dionizos --- Dionüszosz --- Dionysos --- Dionýzos --- Diyonizosse --- Διόνυσος --- Дионис --- ديونيسوس --- 디오니소스 --- דיוניסוס --- ディオニューソス --- 狄俄倪索斯 --- Βάκχος --- Діоніс --- Vases, Ancient --- Cults. --- Vase-painting, Greek. --- Vases, Red-figured. --- Greece --- Greek vase-painting --- Alternative religious movements --- Cult --- Cultus --- Marginal religious movements --- New religions --- New religious movements --- NRMs (Religion) --- Religious movements, Alternative --- Religious movements, Marginal --- Religious movements, New --- Religions --- Sects --- Vase-painting, Greek - Greece - Athens. --- Vases, Red-figured - Greece - Athens. --- Dionysus - (Greek deity) --- Dionysus - (Greek deity) - Cult. --- Dionysus - (Greek deity) - Art. --- Art. --- Peinture de vases grecque --- Vases à figures rouges --- Classics --- Comparative religion --- Iconography --- History of ancient Greece --- Dionysus [Mythological character] --- Athens
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In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments. By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters. The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format ( HERE ) and can also be purchased as a printed hardcover book ( HERE ).
Portrait painting, Netherlandish --- Devotion in art --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Netherlandish portrait painting --- 75 <492> --- 75.033 --- 75.034 --- 75.034 Schilderkunst van de renaissance; barok; rococo --- Schilderkunst van de renaissance; barok; rococo --- 75.033 Schilderkunst van de Middeleeuwen --- Schilderkunst van de Middeleeuwen --- 75 <492> Schilderkunst--Nederland --- Schilderkunst--Nederland --- Portrait painting, Netherlandish. --- Devotion in art. --- Peinture de portraits --- Dévotion --- Art chrétien médiéval --- Art chrétien de la Renaissance --- Dans l'art --- Benelux countries. --- Medieval. --- Christian art and symbolism - Benelux countries - Medieval, 500-1500 --- Christian art and symbolism - Benelux countries - Renaissance, 1450-1600 --- Art --- Art chrétien --- Moyen âge, 476-1492 --- Renaissance --- Pays-Bas --- History of art / art & design styles --- History of art & design styles: c 1400 to c 1600
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